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After studying business and marketing at the IHEC Carthage, Nejib Belkadhi began an acting career in film and theatre. he started his first steps as a showrunner, director and host at canal+ horizons with his award-winning TV show chams alik.

In 2002, he founded propaganda productions with his friend Imed Marzouk who later became his producer. Their first TV production as a team was the fake reality show Dima Labes where Nejib Belkadhi follows an average family in their everyday life, one of TVs biggest hits that year.

In 2006, his feature documentary movie VHS Kahloucha was selected in more than 50 festivals including a world premiere at the Cannes Film Festival and a selection in the official competition at the Sundance Film Festival. The film won 7 international awards including the golden Muhr at the Dubai International Film Festival.

In 2013, his first fictional feature film Bastardo world-premiered at the Toronto International Film Festival and was selected for the official competition at Cinemed Montpellier in 2014. 40 festivals later, the film won 11 awards including best film at the Milan Asian, South American and African Film Festival, best film at the International Film Festival of Tetouan and best film at the Alexandria International Film festival.

In 2018 he released his film Look At Me which premiered at the Toronto International Film Festival and won 10 international awards with selections in more than 50 festivals.

His newest film, released in December 2021, is the self-produced Communion and shot entirely during the Covid-19 pandemic. It premiered in competition at the Red Sea International Film Festival and won best foreign film at the New York City International Film Festival and Best film at the Luxor African Film Festival.

Radwa El Barouni received her masters and PhD degree from the University of Texas, Austin in Middle Eastern Studies with a focus on Middle Eastern Languages and Cultures. Her dissertation focused on a dynamic archive of historical fiction produced in the late 19th -21st centuries, analyzing how the works problematize and process their subjects’ relationship to their pasts, presents and potential futures. She critically examined the works’ -through their staging of al-Andalus- intervention in official in/accessible archives, dominant historical narratives, and forms of historical consciousness, reimagining both the world they represent and the genre of the historical novel itself. In addition to historical fiction, El Barouni’s other research interest focuses on the depiction of non-human animals in Arabic and Persian texts, and the configuration of their place in and relations with humans and the surrounding environments in both theocentric and non-theocentric paradigms.

El Barouni is currently the director and coordinator of the Arabic Language and Culture programme at the University of Pennsylvania in the MELC department. Prior to joining the University of Pennsylvania, she previously taught Arabic literature, language and translation at Williams College, Durham University (U.K) and at UT Austin. She was also a consultant for the Flagship Culture Initiative 2018-2019, and has trained faculty for Arabic as a Foreign Language in the Flagship programme in Morocco with the American Councils for International Education in 2019.