This seminar provides an overview and introduction to the cinema of Luis Buñuel with a particular focus on the Spanish filmmaker’s engagement with Surrealism. Drawing on the expertise of Professors Ignacio Javier López and Michael Solomon, each seminar session will unfold in two parts: first, Solomon will offer a general introductory lecture and discussion covering various aspects of Buñuel’s filmography including technical and formal analyses that touch on cinematic form, montage, and adaptation, and a contextualization of Buñuel’s cinema within the Spanish, Mexican, Latin American, and European (inter) national cinemas and cinematic movements; second, López will offer a close examination of individual films focusing on Buñuel’s longstanding ties with (the ideas of) Surrealism from the movement’s initial moment of scandal and provocation—understood by its participants as a new philosophy, a new way of seeing in an endless process of discovery—to a second moment in which Surrealism admits its failure to enact its revolutionary goals.  Films covered in the seminar include Buñuel’s Un Chien Andalou (1929),  L’Age d’or (1930) Menjant garotes, Las Hurdes/Terre sans pain (1933/36) Los Olvidados (1950) Susana (1951) Ensayo de un crimen (1955), Death in the Garden (1956),  Nazarín (1959), Viridiana (1961) The Exterminating Angel (1962), Belle de jour (1967), Tristana (1970), and Obscure Object of Desire (1977). Students will start working early on a final project (seminar paper), reworking the draft several times during the semester.