Course Archive

2006 spring Courses

Core Requirement Courses

CINE 101 - Film History
ENGL 091 | ARTH 108
401 |Peter Decherney |TR 10:30am-12pm
CINE 102 - Film Analysis and Methods
ENGL 092 | ARTH 109
601 |Charney, Leo |M 6-9pm

Elective Courses

CINE 061 - Film/Video I
FNAR 061
401 | Staff
CINE 062 - Film/Video II
FNAR 062
401 | Staff
CINE 064 - Interactive Video
FNAR 064
401 |M. O'Really |W 1-4pm
CINE 067 - Advanced Video Projects
FNAR 067
401 |Nadia Hironaka |R 1-4pm
CINE 105 - Religion and Film
RELS 105
601 |Tirdad Derakhshani |M 6-9pm
CINE 116 - Screenwriting
ENGL 116
401 |Marc Lapadula |M 2-5pm
601 |Marc Lapadula |M 5-8pm
CINE 119 - Middle Eastern Cinema: Law and Society
NELC 119
001 |Pardis Minuchehr |MW 2-3:30pm
CINE 130 - Advanced Screenwriting
ENGL 130
401 |Mark Rosenthal |F 2-5pm
CINE 201 - Documentary Film
ENGL 291
401 |John Katz |TR 12-1:30pm
CINE 202 - Self-Reflexive, Family and Autobiographical Film
ENGL 292
401 |John Katz |TR 3-4:30pm
CINE 202 - International Novel and Film
ENGL 292
601 |David Espey |T 5:30-8:30pm
CINE 208 - Women and Film
ARTH 292
401 |Karen Redrobe |TR 9-10:30am
CINE 215 - Love and Cinema in India
SAST 216
401 |Gayatri Chatterjee |M 3-6:30pm
CINE 215 - Indian Cinema and Society
SAST 221
402 |Gayatri Chatterjee |TR 12-1:30pm
CINE 222 - Postwar Japanese Cinema and Visual Culture
ARTH 210
401 |Julie Davis |TR 1:30-3pm
CINE 225 - King Kong, Monsters and Their Brides
THAR 275
401 |Mera Lafferty |MW 2-3:30pm
CINE 225 - Dark Comedy in Theatre and Film
THAR 273
601 |Marcia Ferguson |R 5:30-8:30pm
CINE 250 - Nazi Cinema
GRMN 257
401 |Catriona MacLeod |MW 2-3:30pm
CINE 260 - Contemporary British Cinema
ENGL 295
401 |James English |TR 12-1:30pm
CINE 261 - Computer Animation
FNAR 267
401 |Joshua Mosley |TR 1:30-4:30pm
CINE 263 - Mixed Media Animation
FNAR 289
401 |Joshua Mosley |MW 9am-12pm
CINE 265 - Russian and Eastern European Film
RUSS 165
401 |Vladislav Todorov |MW 2-3:30pm
CINE 265 - Russian History and Film
RUSS 275
402 |Vladislav Todorov |MW 3:30-5pm
CINE 270 - Mexican Revolution in the American Imagination
ENGL 270
401 |Yolanda Padilla |TR 1:30-3pm
CINE 290 - International Politics and Film
INTR 290
601 |Elizabeth Bloodgood-Ames |W 6-9pm
CINE 329 - Israeli Film and Literature
NELC 159
401 |Nili Gold |TR 1:30-3pm
CINE 336 - Anthropology and the Cinema
ANTH 336
401 |Krasniewicz, Louise |TR 10:30am-12pm
CINE 340 - Voices from the South (OFFERED IN ITALIAN)
ITAL 300
401 |Cristina Abbona-Sneider |TR 1:30-3pm
CINE 345 - Crime Cinema
FREN 380
401 |Philippe Met |TR 3-4:30pm
CINE 350 - Family in Spanish Cinema (OFFERED IN SPANISH)
SPAN 386
401 |Sara Nadal-Melsió |TR 12-1:30pm
CINE 350 - Indigenous Peoples in Andean Literature and Film (OFFERED IN SPANISH)
SPAN 396
404 |Jean Knight |MWF 12-1pm
CINE 352 - The Devil's Pact in Literature and Film
GRMN 256
401 |Simon Richter |MW 12-1pm
CINE 365 - Nationalism and Ethnic Conflict in Film
RUSS 430
601 |Vladislav Todorov |M 5:30-8:30pm
CINE 365 - Fate and Chance in Literature and Film
RUSS 432
602 |Vera Zubarev |T 5:30-8:30pm
CINE 498 - Cinema Studies Seminar (Open only to Cinema Studies Graduating Majors)
301 |Timothy Corrigan |W 2-5pm

Graduate Courses

CINE 591 - Contemporary Film Theory
ARTH 593
401 |Karen Redrobe |R 1:30-3:30pm
CINE 793 - Film Historiography
ENGL 797
401 |Peter Decherney |W 3-6pm

Cinema Studies Program
209A Fisher-Bennett Hall ⋅ 3340 Walnut Street ⋅ Philadelphia, PA 19104 ⋅ (215) 898-8782