This course is a study of documentary film practices internationally, beginning from the invention of cinema and ending in the contemporary landscape. It analyzes how documentary worldwide serves a paradoxical function: both a testament to the power of the "real," and a critique of its representation. The class thus challenges preconceived notions of a medium often connection to "cinema-truth." This class will also pay special attention to the intersection of documentary and politics to think through how the art of documentary has been historically instrumental for revolutionary politics, while also deeply complicit in fascist regimes. Films in the course include ethnographic films, experimental nonfiction films, essay films, activist documentaries, and animated documentaries. Lectures, screenings, and discussions will be oriented around the history and theory of documentary filmmaking as well as an in-depth analysis of the films themselves. Requirements will include readings in film history and film analysis, short response papers, active participation, a research paper, and a final creative assignment.

Fulfills CIMS Format & Theory attribute.